When Not to Move

Countries and flags

Even the cosmopolis can feel confining.

I had harboured aspirations of striking out beyond the precincts of my ostensibly humble region and transferring my base of operations to somewhere fundamentally different; somewhere founded on a different design, a local perhaps perpetuated and driven by an ideology of a dissimilar tenor. The trajectory I envisioned, even from the point of my recent journey’s genesis—that first degree—took me up and out of my limited experience to environments diverse and challenging. Goodbye, Toronto! Goodbye, goodbye. Because really, how many jolly adventures can one have in the same local? Won’t the familiarity of a well-worn home lead to stagnation? Doesn’t the well run dry after ceaselessly drawing from it, year after year? And quite honestly, no one wants to be a parochial academic when the world beckons to ambition so compulsively. When you see yourself climbing up onto the shoulders of giants you imagine that giant standing at the epicentre of an unequivocally vital site, somewhere where they’ll see your banner snapping in the troposphere and it will mean something; the little people far afield might be driven to rally or flee.

Possibly, I exaggerate. If not, it’s still an indulgent fantasy. I came late to this.

I phoned a dear friend once many years ago, and I caught her at an unusual time. Her voice was thick with emotion, and as we talked she came to seem genuinely depressed. “My darling,” I said to her, “whatever is the matter?”

“Oh, it’s ridiculous,” she answered.

“Tell me,” I pressed.

“I’ve just finally realized that I’m never going to be a pop star.”

Hearing her articulate this epiphany was a minor detonation. There was a clear and lucid origin of perspective in its essence. Something had sunken in.

The allure of this particular pipe dream was relatively foreign to me. At that point in my life I saw myself as too unconventional, and too contrary, to be suited for any kind of status that relied upon mass appeal. The brand of success I entertained in my own reveries took the shape of a loving peer group and a chance to make a living creatively, but quietly and out of the way; and not so much out of pragmatism but rather an untrustworthy orientation toward brute reality. However, my friend’s realization, and what she was coming to terms with (however tongue-in-cheek) addressed a fundamental mythology that motivates a certain quantity of every project of self-determination. The spectre of destiny draws many of us forward; and it is seldom a modest phantasm that does the work within the formative imagination. Around the corner of the everyday is anticipation for a revelatory moment of discovery, a juncture where the avatars of forces which drive the world suddenly take notice, attend, and carry you off—transmute you from your station and install you within the charmed sphere of the relevant, respected, and adored.

The permutations of these fantasies are, of course, endless; and they drive the compulsive magnetism of celebrity. The public regards, but it also projects; and that delirious projection is a lot of what spurs much of the everyday toil through mediocrity. I suppose it’s most especially acute in the young, before the force of raw statistics begins to wear at your consciousness. However, at some point you have to mourn your chances.

I mourned early. I recovered.

And my ambition has evolved rather than degraded: I haven’t worn down—I’ve sharpened. I’ve fine tuned. This older self I have inherited, thanks to the inexorable dilation of time, entertains much grander designs than what my prematurely pessimistic ego made room for when I thought I was headed nowhere fast. I had always known that I would never be a pop star, but at some point I had become actually optimistic about the prospects of a more modest luminary position in the firmament. My dream machine has been steadily stoked these past few years, and where I would have been familiar tracing the inner contours of my psyche and discerning only resignation, instead I have adumbrated the shape and substance of actual desire; powerful objectives motivated. This is genuinely a surprise.

I blame positive reinforcement: the continuous encouragement of multiple successes after facing difficult odds.

So when my ambition to breach the national barrier surrounding me was forestalled last year, and my long range plans ran afoul of the very real odds stacked against me, I recalled my friend, anguished on the other end of the phone line. This will never be was stitched into the fabric of the sky, and I felt the destitution of a lofty dream aborted.

Never is a brutal oblivion; but never is also hard to ensure. In a universe that thrives on the proliferation of possibilities, of aleatory contingencies and powerfully interlaced probabilities, never is almost as unlikely as always. Not this one, no this time, is so much more palatable, and so much more credible, than never.

The dream can stand some adjustment. I do not need to be stationed in America to realize my ambitions. The well, here in Canada, in Toronto, has not run dry; and whatever arguments I thought made it imperative to shuck this city like an old skin have lost a lot of their validity under detailed scrutiny. Good things can come from familiar territories. Progress without movement can be an exciting way to examine personal morphology. One can trace new outlines over the old shapes on a map. The iterations might create a compelling palimpsest, a record and new manuscript simultaneously. The core of the exercise is solid, is estimable; familiar but still challenging. There are newnesses to learn from right here as much as there.

So I stay. So I commit to inscribing my mark with a fine point on a site that has asked me to use its surface. There are other ways to transcend boundaries and reach beyond one’s original sphere. The world becomes progressively smaller when it consists of continents of text. It can be nice to be at home and to travel without moving.

All Things Separate

indoor cloud

At times it can be hard to know what you’re looking at. Certain bodies have boundaries that are indistinct. An object identifiable but undefinable describes an inordinate range of phenomena if enough scrutiny is focused on categorical detail. Where is the limit of a cloud? How can you mark the border of an ocean? Classification and identification, as Nietzsche has written, can be described as metaphor based upon a metaphor. If the structure of reality is founded on the premise of recognizing the interplay between differences, surely there is a way to definitively state that one thing is not another, that the compartments are separate, that the world is an aggregate of isolated things piled limit to limit against one another, touching but sacrosanct.

We end up having to build artificial walls to contain the indistinct; boxes real or virtual but equipped with windows wide enough to observe what must not bleed into the immediate surroundings: a mountain, a city, a river, an intersection, a being, a book, a network, a cell, a molecule, an atom. Things irreducible? Things indivisible? Whole things, complete things, individual things?

Illusion. Deception. Conceit. Anyone who focuses their attention on the apparent ontology of things can recognise that they all exist in translation, transition, and transformation. The interrelations of all components make up the mutable and mutating structures that combine and shift to produce the fabric of existence.

I have felt isolated and apart for the past number of months. The project that began as a journey through a process, one punctuated with landmarks and milestones, was interrupted; and it has been an effort not to flounder; a herculean labour to remain connected to the give and take of a life that cannot (or will not) exist amputated from meaning or purpose. The work I have been committed to is the work of imbricating the apparently distinct, and the redrawing of provisional boundaries—walls with windows—around hybrid results so that correlative interrelations might be observed. This is the business of theorizing about the world. This is the complicated dance of pattern recognition in the play of cause and effect; complex systems giving rise to identifiable marvels. I want to study culture. I want to continue to study culture—and in a community, in a network that complicates the boundaries of where one thing or individual begins and another ends.

All this is to say that I have some idea of what I’m looking at when I stare at the letter saying I have been invited to begin my PhD. It may be a distinct thing but it is connected to a universe of generative inaugurations, influences, and reciprocal involvements that combine to make it what it is. This is the beginning of the end of a long journey, and though everything that I base my sense of purpose on might only be a sophisticated metaphor, to say “only” is a trivialization that belies the monumental nature of identifying a thing that implies another thing, one which lies closer to an inexpressible truth. Let us all be part of the attempt to identify what it is that we see, if only to share the joy of recognition with companion beings. Let us exchange perceptions and complicate the beginning and end of the singular object.