Fragmentary, No. 16

The notion of ‘just now’ has been lived out indeed in a century already divided into decades with names and nicknames, ranging from the dynastic to the dynamic, from Edwardian to Roaring. Most important, an instant-by-instant difference in the actual experience of historical time lives out—and in—the rhythms of an unprecedented and accelerating pace of change in the history of material cultures. Accordingly, the imaginative experience of temporality moves beyond one of crisis time to one of time itself in crisis: a formerly natural, apparently gradual time of diurnal days and seasonal rounds has been lined ever more finely and grandly by the developing mechanisms of chronometry, which have worked in ways little and large—from the division of the globe into twenty-four equal time zones to the parsing of micro-times within a supposedly seamless instantaneity—to unsettle temporal measurement itself.

♦ Vincent Sherry, “A History of ‘Modernism'”

Fragmentary, No. 8

[T]he four theses of modernity.

  1. We cannot not periodize.
  2. Modernity is not a concept, philosophical or otherwise, but a narrative category.
  3. The narrative of modernity cannot be organized around categories of subjectivity; consciousness and subjectivity are unrepresentable; only situations of modernity can be narrated.
  4. No ‘theory’ of modernity makes sense today unless it comes to terms with the hypothesis of a postmodern break with the modern.

♦ Fredric Jameson, A Singular Modernity: Essay on the Ontology of the Present