Category: Impensive
-
Fragmentary, No. 29
In one of my favorites of your drawings, two Popsicles are talking to each other. One accuses, “You’re more interested in fantasy than reality.” The other responds, “I’m interested in the reality of my fantasy.” Both Popsicles are melting off their sticks. ✧ Maggie Nelson, The Argonauts
-
Fragmentary, No. 28
This reciprocal determination operates elsewhere as well, although by other means and with other aims. It involves a double displacement, which renders a concept plausible or true by pointing to an error and, at the same time, by enforcing belief in something real through a denunciation of the false. The assumption is made that what…
-
Lemonade?
And one of the miners made a speech about capitalism using the analogy that “it’s like, say, a man gives you a lemon tree . . . “ (I think he was possibly Australian—but evidently, living in New Zealand.) “When do you have the time to pick the lemons? Before or after they are any…
-
Fragmentary, No. 19
We must be aware of the dangers that lie in our most generous wishes. Some paradox of our nature leads us, when once we have made our fellow men the objects of our enlightened interest, to go on to make them the objects of our pity, then of our wisdom, ultimately of our coercion. ♦ Lionel Trilling,…
-
Fragmentary, No. 14
In the past we have always assumed that the external world around us has represented reality, however confusing or uncertain, and that the inner world of our minds, its dreams, hopes, ambitions, represented the realm of fantasy and the imagination. These roles, it seems to me, have been reversed. The most prudent and effective method…
-
Fragmentary, No. 12
What is new is not that the world lacks meaning, or has little meaning, or less than it used to have; it is that we seem to feel an explicit and intense daily need to give it meaning: to give meaning to the world, not just some village or lineage. This need to give meaning…
-
Negative Forms
A neologism born out of agitation, a discomfort in the abstract body, and a drive to direct turbulent formulations of ephemera out: outward; outside, into the open. Its root, my well-worn friend pensive, traces a spectrum of inversion, beginning with “sorrowfully thoughtful; gloomy, sad, melancholy” (OED); a condition familiar, but unwelcome save for the rainiest…