[A] book about the attrition of a fantasy, a collectively invested form of life, the good life. As that fantasy has become more fantastic, with less and less relation to how people can live—its attrition manifests itself in an emerging set of aesthetic conventions that make a claim to affective realism derived from embodied, affective rhythms of survival.
♦ Laren Berlant, Cruel Optimism
There is reason to take issue with the historical present. That we have gradually, inexorably, been becoming detached from the genuine prospect of realistic achievement of a collectively entertained (and entertaining) fantasy life seems almost cruel in itself to acknowledge. The negative injunction—”don’t look!”—could rightly and more reliably be expected to emanate from an internal source rather than an external one. We do not desire to examine the very tenuous foundations on which we are so hastily and compellingly erected from. The project of living today in the Western world almost requires a blindness complicit with the unachievable nature of our ambitions; ambitions which are manufactured against the impetus of an ostensibly easily accessed sense of reason, along with features of social and political realities that we willfully attenuate to the point of polite dinner conversation. Actual, meaningful, cognitive assessment of the terms, conditions, cost, reliability, and plausibility of the models we project outward and upward from ourselves, on which we base life changing decisions and evaluate one another in society, can feasibly be apprehended to be inherently repulsive. Too much of our sense of coherence and intelligibility relies upon a hope that may in fact be toxic to any real form of stability. The point that Berlant hammers so deftly is one of precarity: as supporting and driving institutions continue to shrink from the business of real service to a larger community, and instead mobilize people as statistics which serve the bottom line of not even the 1% but rather composite, covetous corporate and national entities, the prospect of success becomes hazardous. It may never arrive. It likely won’t, not recognizably. The “good life” is so utterly contingent in a world with so few genuine supports that its mirage may be better understood as a form of abuse; but where does it emanate from? The sources at this point are inscribed on inner spaces as deeply as on outer. The “situation tragedy” which Berlant invokes lurks at the periphery of most modern lives, as a pessimism that acts almost as a force unconsciously moves in to inhabit the regions of projected futurity, spaces that were once mediated by a sustained and nourishing sense of hope. Perhaps we should ignore the injunction despite the allure of ignorance, and look to reevaluate our dreams.