” ‘Sublimation’ occurs when an object, part of everyday reality, finds itself at the place of the impossible Thing. Herein resides the function of those artificial obstacles that suddenly hinder our access to some ordinary object: they elevate the object into a stand-in for the Thing. This is how the impossible changes into the prohibited: by way of the short circuit between the Thing and some positive object rendered inaccessible through artificial obstacles.”
♦ Slavoj Žižek, “Courtly Love, or, Woman as Thing”
Not necessarily even a visible obstacle, but perhaps sometimes an irresolvable and continuously reversed telescoping away of the object; a gradual but unmistakable receding of the possibility. Interposition can be this kind of relative positioning: additional space that we have provided, or invoked, between ourself and the goal, the illusive desire that is out of our reach before we even attempt to achieve it. Inasmuch as this is a reiteration of the same dilemma differently visualized, it can still afford to be said that “artificial obstacles” at times resist articulate signification: the distance between here to there can simply become impossible to traverse; and what time and effort can be expended trying, or trying to avoid trying, in spite of that. Historically the prohibited can be innately unexplainable, and the sensible obstacle conjured as a retroactive justification.