In one of my favorites of your drawings, two Popsicles are talking to each other. One accuses, “You’re more interested in fantasy than reality.” The other responds, “I’m interested in the reality of my fantasy.” Both Popsicles are melting off their sticks.
✧ Maggie Nelson, The Argonauts
Fragmentary, No. 28
This reciprocal determination operates elsewhere as well, although by other means and with other aims. It involves a double displacement, which renders a concept plausible or true by pointing to an error and, at the same time, by enforcing belief in something real through a denunciation of the false. The assumption is made that what is not held to be false must be real. Thus, for example, in the past, arguments against ‘false’ gods were used to induce belief in a true God. The process repeats itself today in contemporary historiography: by demonstrating the presence of errors, discourse must pass off as ‘real’ whatever is placed in opposition to the errors. Even though this is logically questionable, it works, and it fools people. Consequently, fiction is deported to the land of the unreal, but the discourse that is armed with the technical ‘know-how’ to discern errors is given the supplementary privilege of prepresenting something ‘real.’ Debates about the reliability of literature as opposed to history illustrate this division.
✧ Michel de Certeau, “History: Science and Fiction”
A Retrospect of Prospective
As I was trying to write about the past, I decided that I’d rather rework something I’d written about the future, in the past; but that’s something especially relevant this time of year. Maybe it’s tradition. Read it here.
Lemonade?
And one of the miners made a speech about capitalism using the analogy that “it’s like, say, a man gives you a lemon tree . . . “ (I think he was possibly Australian—but evidently, living in New Zealand.)
“When do you have the time to pick the lemons? Before or after they are any good? Because having the time available to pick them when they’re ripe—not too hard, and not too pulpy—is not very likely. And what are you going to do with those lemons? Do you think you can turn those lemons into profit or prestige? Not very likely. You don’t have access to the lemon market, which is owned by the man who gave you the tree!”
. . .
It was a good speech. There were slides.
Fragmentary, No. 27
Looks like what drives me crazy
✧ Langston Hughes, “Evil”
Don’t have no effect on you—
But I’m gonna keep on at it
Till it drives you crazy, too.
Fragmentary, No. 26
Lecturing in Japan
Stephen Hawking was asked
not to mention that the universehad a beginning
(and so likely an end)
because it would affectthe stockmarket.
Speculation aside,
we all need a prehistory.According to Freud,
we do nothing but repeat it.
Beginnings are specialbecause most of them are fake.
The new person you become
with that first sip of winewas already there.
✧ Anne Carson, “i wish i were two dogs then i could play with me”
Fragmentary, No. 25
The moderns confused products with processes. They believed that the production of bureaucratic rationalization presupposed rational bureaucrats; that the production of universal science depended on universalist scientists; that the production of effective technologies led to the effectiveness of engineers; that the production of abstraction was itself abstract; that the production of formalism was itself formal. We might just as well say that a refinery produces oil in a refined manner, or that a dairy produces butter in a butterly way! The words ‘science’, ‘technology’, ‘organization’, ‘economy’, ‘abstraction’, ‘formalism’, and ‘universality’ designate many real effects that we must indeed respect and for which we have to account. But in no case do they designate the causes of these same effects. These words are good nouns, but they make lousy adjectives and terrible adverbs. Science does not produce itself scientifically any more than technology produces itself technologically or economy economically.
✧ Bruno Latour, We Have Never Been Modern
Fragmentary, No. 24
“The strongest guard is placed at the gateway to nothing. . . . Maybe because the condition of emptiness is too shameful to be divulged.”
✧ F. Scott Fitzgerald, Tender is the Night
Fragmentary, No. 23
poets are useless,
. . .
are not only ‘non-utilitarian’,
we are ‘pathetic’:this is the new heresy;
but if you do not even understand what words say,how can you expect to pass judgement
✧ H.D., The Walls Do Not Fall
on what words conceal?
Fragmentary, No. 22
When anyone was witty about a contemporary event, she would look perplexed and a little dismayed, as if someone had done something that really should not have been done; therefore her attention had been narrowed down to listening for faux pas. She frequently talked about something being the ‘death of her,’ and certainly anything could have been had she been the first to suffer it. The words that fell from her mouth seemed to have been lent to her; had she been forced to invent a vocabulary for herself, it would have been a vocabulary of two words, ‘ah’ and ‘oh.’ Hovering, trembling, tip-toeing, she would unwind anecdote after anecdote in a light rapid lisping voice which one always expected to change, to drop and to become the ‘every day’ voice; but it never did. The stories were humorous, well told. She would smile, toss her hands up, widen her eyes; immediately everyone in the room had a certain feeling of something lost, sensing that there was one person who was missing the importance of the moment, who had not heard the story; the teller herself.
✧ Djuna Barnes, Nightwood
IMPENSIVE 